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The Most Complete Exhibition Of Antonio Lopez Arrives To The Thyssen-Bornemisza Museum

It’s 130 works which has chosen the own Antonio Lopez, including drawings, paintings and sculptures, the oldest to some never exposed. Several museums and private collectors, including the painter, have lent works for the exhibition, which will visit Madrid and Bilbao. The Museum Thyssen?Bornemisza of Madrid opens its halls to the realism of Antonio Lopez bringing together 130 works of the artist, in the most comprehensive exhibition dedicated to the Spanish painter. It is the gaze of the own Antonio Lopez on his work, recent and ancient, which articulates this exhibition, which will be open from June 28 to September 25, 2011. The artist, who has overseen the selection and fitting together the two Commissioners?Maria Lopez, his daughter, and artistic director of the Thyssen Museum, Guillermo Solana?Bornemisza, as well as the technical Commissioner, Paula Luengo?, presented to the public in a large sample of almost autobiographical character. Pieces of the past twenty years and which come directly from his study, almost half of the 130 exhibited works, are giving way to more distant production over time, until the 1950s. There is no chronological order in this show, the tour goes forward and backward in the work of Antonio Lopez who, as is clear, is active and working. In the halls, will coexist in a balanced manner painting, drawing and sculpture, three genres that has cultivated throughout his career.

After its presentation in Madrid the exhibition may see, in a somewhat smaller version, in the Museo de Bellas Artes de Bilbao, from October 10, 2011 to January 22, 2012. The views of Madrid, including the most recent of the Gran Via and some that will be shown for the first time are gathered alongside pictures of his native Tomelloso, paintings and drawings of fruit trees or to his portraits of couples and their interiors. The recurring themes in the universe of Antonio Lopez and their influences and their connection with the tradition, which is considered heir to the obsession will be present. And is your sense of the human figure so present in sculptures and drawings. The poetry of the everyday considered the great representative of realism and contemporary Spanish figuration, the work of Antonio Lopez is too personal to be easily classified. Dnsor of freedom as a maximum supply of creativity and feelings as basic material of the creative process and communication with others, the manchego teacher seeks between the reality surrounding you everyday aspects likely to be portrayed in his work. Many of the works collected in this exhibition come from private collections, mostly Spanish and, among them, that of the artist with a good number of unpublished works, some in the process of work; but there are also outstanding loans from museums such as the Centro de Arte Reina Sofia in Madrid, the Bellas Artes de Bilbao, the Centre Georges Pompidou in Paris, the Hamburger Kunsthalle in Hamburg or the Museum of Fine Arts in Boston, among others. The most quoted Antonio Lopez painter became in the Spanish author live most quoted in 2008, when the box Madrid from Torres Blancas, a stunning urban view of the Spanish capital, s auctioned at Christie s by 1.38 million pounds (1.74 billion euros).

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Buenos Aires

A raging river can send Me your comments a: either on the website can Se Termino the Subprime Crisis? Buenos Aires, June 2008 many times Argentina6 the big news become clogged with other bigger news. The problem of inflation worldwide, with spear tips that are the rise in the price of energy and food, has captured most of the attention at the international level, making that the topic of the crisis subprime has been in the background. Sincerely a situation was so difficult to imagine. But it is true that the gravity of the problems generated by the dynamics of the last months of the prices of energy and food, is concerned the whole world, not only by the inflationary impact, but mainly by the numerous conflicts that are brewing, especially in the poorest nations. Returning to the topic of the crisis subprime, it seems that the Bernanke himself has removed the focus of attention at the same and evidence be more worried about rising inflationary expectations which are observed in the North American economic horizon. Bernanke is somewhat quiet because the slowdown of the American economy slows down the possibility of second-round inflation effects are generated in the medium term by higher wage pressures.

Notwithstanding this, he knows that the current level of rates by the Fed is decidedly low, so it must act as quickly as possible as soon as the problem of the economic slowdown has waned. The above statement: the end of the downward cycle of rates. Neither had much sense to continue with the cuts since it is likely that Bernanke is thinking that everything that the rate policy could do to mitigate the problems arising in the sector subprime, has already done so. This does not imply that the storm has passed definitively. I understand that Bernanke must be sure that the financial institutions still feeling the effects of the crisis and loss ads will continue.