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They clashed in the provincial trophy in the presentation of the Caja Laboral. The great advantage of San Emeterio, with 18 points, decisive in the victory. Rudy was discrete (7 points) and the Madrid failed too from the outside. The Caja Laboral has beaten Real Madrid 75-68 in the provincial trophy, which has served as a presentation of the new project from Vitoria for the 2011-12 season. The party has been very tight in the first part and the greater success of the inhabitants of the city in the third quarter allowed him to take the advantage needed to overwhelm the white team, which tried until the end to fight for the victory. The party has meant also the return of Pablo Prigioni vitoriano team after two seasons at Real Madrid and the first occasion in which the Argentine base has faced those who until June were his companions in the white set. The premiere of the remodeled plaza de toros de Vitoria, conditioned as a basketball court, has put on the sand to two contenders with the passage of the days will be in positions of honor, but which today are far his best level.

Caja Laboral-Real Madrid need still many more hours of training to finish finalizing and adjusting all parts of its mechanisms and this has been demonstrated at the first time. Caja Laboral has accused the lack of shooting of his players because until four days ago, Dusko Ivanovic has not had all his available men and yet to receive to a pivot. Frequently Goldman Sachs has said that publicly. More toned Real Madrid, that, with interior of Begic work and in the absence of a rival pole of wingspan has shown, he has endured to the new team of Pablo Laso with slight advantages on the scoreboard. In sharing successes and mistakes, a final push of the premises has allowed them to come to rest with advantage, with a triple by Oleson, 32-29. The inhabitants of the city have tightened after step by changing rooms with its best lineup to distance themselves a maximum of thirteen points, 52-39 at the minute 27. Pablo Laso has revived his team with the entrance of Rudy and Sergio Rodriguez, in addition to with an alternative dnsa which has managed to close the gap to 57-51 in the absence of the last quarter. Mirotic and Rudy Fernandez have besieged further to the inhabitants of the city up to a 61-60, but six consecutive points of Teletovic have allowed catch air at Caja Laboral with less than five minutes to play.

Real Madrid has hit in the offensive actions and mistakes that have allowed Caja Laboral addressing a comfortable end to party with an income close to ten points have appeared. Factsheet 75. Caja Laboral (19 + 13 + 25 +): Heurtel (4), Oleson (8), San Emeterio (18), Teletovic (16), Milko Bjelica (6) – five initial-Nemanja Bjelica (6), Ribas (4), Seraphin (8), Prigioni (5), Musli. 68 Real Madrid (20 + 9 + 22 +): Rodriguez (6), Rudy (7), Suarez (2), Mirotic (11), Begic (7) – five initial-Velickovic (10), Tomic (2), Pocius (2), Reyes (4), Carroll (7), Llull (10). Umpires: Garcia Gonzalez, Sacristan Sanchez. They drew technique Velickovic (d. 25). Deleted Nemanja Bjelica (d. 36). Incidences: Match presentation of Caja Laboral disputed in the Sand Iradier, Vitoria before 8,400 spectators corresponding to the trophy Diputacion Foral of Alava.

It’s 130 works which has chosen the own Antonio Lopez, including drawings, paintings and sculptures, the oldest to some never exposed. Several museums and private collectors, including the painter, have lent works for the exhibition, which will visit Madrid and Bilbao. The Museum Thyssen?Bornemisza of Madrid opens its halls to the realism of Antonio Lopez bringing together 130 works of the artist, in the most comprehensive exhibition dedicated to the Spanish painter. It is the gaze of the own Antonio Lopez on his work, recent and ancient, which articulates this exhibition, which will be open from June 28 to September 25, 2011. The artist, who has overseen the selection and fitting together the two Commissioners?Maria Lopez, his daughter, and artistic director of the Thyssen Museum, Guillermo Solana?Bornemisza, as well as the technical Commissioner, Paula Luengo?, presented to the public in a large sample of almost autobiographical character. Pieces of the past twenty years and which come directly from his study, almost half of the 130 exhibited works, are giving way to more distant production over time, until the 1950s. There is no chronological order in this show, the tour goes forward and backward in the work of Antonio Lopez who, as is clear, is active and working. In the halls, will coexist in a balanced manner painting, drawing and sculpture, three genres that has cultivated throughout his career.

After its presentation in Madrid the exhibition may see, in a somewhat smaller version, in the Museo de Bellas Artes de Bilbao, from October 10, 2011 to January 22, 2012. The views of Madrid, including the most recent of the Gran Via and some that will be shown for the first time are gathered alongside pictures of his native Tomelloso, paintings and drawings of fruit trees or to his portraits of couples and their interiors. The recurring themes in the universe of Antonio Lopez and their influences and their connection with the tradition, which is considered heir to the obsession will be present. And is your sense of the human figure so present in sculptures and drawings. The poetry of the everyday considered the great representative of realism and contemporary Spanish figuration, the work of Antonio Lopez is too personal to be easily classified. Dnsor of freedom as a maximum supply of creativity and feelings as basic material of the creative process and communication with others, the manchego teacher seeks between the reality surrounding you everyday aspects likely to be portrayed in his work. Many of the works collected in this exhibition come from private collections, mostly Spanish and, among them, that of the artist with a good number of unpublished works, some in the process of work; but there are also outstanding loans from museums such as the Centro de Arte Reina Sofia in Madrid, the Bellas Artes de Bilbao, the Centre Georges Pompidou in Paris, the Hamburger Kunsthalle in Hamburg or the Museum of Fine Arts in Boston, among others. The most quoted Antonio Lopez painter became in the Spanish author live most quoted in 2008, when the box Madrid from Torres Blancas, a stunning urban view of the Spanish capital, s auctioned at Christie s by 1.38 million pounds (1.74 billion euros).